Kyrie Kyrie eleison (Adagio con moto) (B ♭ major) 2. Gloria Gloria, in excelsis Deo (Allegro vivace) (B ♭ major) Domine Deus, Agnus Dei (Adagio) (D minor) Quoniam tu solus sanctus (Allegro vivace) (B ♭ major) 3. Credo Credo in unum Deum (Allegro vivace) (B ♭ major) Et incarnatus est (Adagio) (F minor) 1.1 Kyrie; 1.2 Sanctus; 1.3 Agnus; 1.4 Hoc Corpus; Agnus (Posted 2020-05-06) Kyrie • Gloria • Credo • Sanctus & Benedictus • Agnus Dei. Premier Kyrie Second Christe Gloria Domine Deus Quoniam tu solus sanctus (soprano I) Quoniam tu solus sanctus (soprano II) Credo Deum de Deo Crucifixus Et in spiritum sanctum Dominum (soprano I) Et in spiritum sanctum Dominum (soprano II) Sanctus Benedictus Agnus Dei ⇒ 5 more: Kyrie, Gloria (monochrome) • Credo, Sanctus/Benedictus • Credo, Sanctus/Benedictus (monochrome) • Agnus Dei • Agnus Dei (monochrome) Kyrie, Gloria (monochrome) * #67903 - 10.28MB, 11 pp. - 0.0/10 2 4 6 8 10 ( - ) - V / V / V - 392 × ⇩ - Ralph Theo Misch Soprano Kyrie Gloria (soprano I) Gloria (soprano II) Credo (soprano I) Credo (soprano II) Sanctus Benedictus Agnus Dei Vay Tiền Nhanh Chỉ Cần Cmnd. P Philippe 04/02/2015 16:22 En chantan nous prions par deux fois Répondre D pas encore en vacances ??? ta construction avance ??? j'attends des nouvelles !! LOL MDR bisous Répondre D bonsoir mon amie et merci pour ton sympathique commentaire ... quand j'étais petite, dans mon village, les chants religieux étaient encore en latin et je trouve que cela leur donnait une profondeur particulière ... maintenant je ne vais plus à l'église ... mais c'est une autre histoire ... gros bisous Répondre Music files L E G E N D Disclaimer How to download ICON SOURCE Pdf Pdf Midi MusicXML Video MuseScore3 Web Page File details Help Entire work (Posted 2017-08-15) CPDL #45902: Contributor: Paolo Pandolfo (submitted 2017-08-15). Score information: A4, 109 pages, MB Copyright: CPDL Edition notes: Scanned score. (Posted 2015-01-01) CPDL #34023: Editor: Jes Wagner (submitted 2015-01-01). Score information: A4 Copyright: CC BY NC ND Edition notes: Separate movements Kyrie Editor: Jes Wagner (submitted 2020-04-10). Score information: A4 Copyright: CC BY NC ND Edition notes: Editor: Claude Tallet (submitted 2008-09-04). Score information: A4, 7 pages, 149 kB Copyright: CPDL Edition notes: Includes a keyboard version of the original accompaniment. Gloria Editor: Jes Wagner (submitted 2020-04-10). Score information: A4 Copyright: CC BY NC SA Edition notes: {{Po stedDate|2008-09-08}} CPDL #18039: (YouTube) Editor: Claude Tallet (submitted 2008-09-08). Score information: A4, 41 pages, 974 kB Copyright: CPDL Edition notes: Includes a keyboard version of the original accompaniment. Credo Editor: Jes Wagner (submitted 2020-04-10). Score information: A4 Copyright: CC BY NC ND Edition notes: Editor: Claude Tallet (submitted 2008-09-15). Score information: A4, 29 pages, 653 kB Copyright: CPDL Edition notes: Includes a keyboard version of the original accompaniment. Sanctus-Benedictus Editor: Jes Wagner (submitted 2020-04-10). Score information: A4 Copyright: CC BY NC ND Edition notes: Editor: Claude Tallet (submitted 2008-09-15). Score information: A4, 4 pages, 116 kB Copyright: CPDL Edition notes: Includes a keyboard version of the original accompaniment. Agnus Dei Editor: Jes Wagner (submitted 2020-04-10). Score information: A4 Copyright: CC BY NC ND Edition notes: Editor: Claude Tallet (submitted 2008-09-15). Score information: A4, 5 pages, 104 kB Copyright: CPDL Edition notes: Includes a keyboard version of the original accompaniment. General Information Title: Messa di Gloria Composer: Giacomo Puccini Number of voices: 4vv Voicing: SATB Genre: Sacred, Mass Languages: Greek, Latin Instruments: Orchestra First published: 1880 Description: External websites: Free choir training aids for this work are available at Choralia. Free public domain score Copyrighted score Original text and translations For information, refer to the Mass page. For texts and translations, see the individual pages: Kyrie • Gloria • Credo • Sanctus & Benedictus • Agnus Dei Music files L E G E N D Disclaimer How to download ICON SOURCE Pdf MusicXML LilyPond Zip file Web Page File details Help All movements (Posted 2017-09-23) CPDL #46447: Contributor: Paolo Pandolfo (submitted 2017-09-23). Score information: A4, 233 pages, MB Copyright: CPDL Edition notes: Scanned score. Separate movements Kyrie Editor: Johannes Becker (submitted 2016-07-20). Score information: A4, 4 pages, 140 kB Copyright: CPDL Edition notes: Kyrie, Vocals only. Editor: Michael Gibson (submitted 2007-08-06). Score information: A4, 31 pages, MB Copyright: CPDL Edition notes: Includes a keyboard version of the original accompaniment. Section 1 - Pages 1 to 31: Kyrie & Gloria (as far as Domine Deus, Rex caelestis) Gloria Editor: Johannes Becker (submitted 2016-07-20). Score information: A4, 12 pages, 241 kB Copyright: CPDL Edition notes: Gloria, choir only. Editor: Michael Gibson (submitted 2007-08-06). Score information: A4, 38 pages, MB Copyright: CPDL Edition notes: Includes a keyboard version of the original accompaniment. Section 2 - Pages 32 to 69: Gloria (from Qui tollis) Credo Editor: Johannes Becker (submitted 2016-07-20). Score information: A4, 8 pages, 193 kB Copyright: CPDL Edition notes: Credo, part 1, vocals only. Editor: Johannes Becker (submitted 2016-07-20). Score information: A4, 6 pages, 180 kB Copyright: CPDL Edition notes: Credo part 2, Et vitam, vocals only. Editor: Michael Gibson (submitted 2007-08-06). Score information: A4, 42 pages, MB Copyright: CPDL Edition notes: Includes a keyboard version of the original accompaniment. Section 3 - Pages 70 to 111: Credo. Prélude religieux - Ritournelle - Sanctus & Benedictus - O salutaris hostia - Agnus Dei Editor: Johannes Becker (submitted 2016-07-20). Score information: A4, 4 pages, 181 kB Copyright: CPDL Edition notes: Sanctus, Agnus dei, vocals only. Editor: Michael Gibson (submitted 2007-08-06). Score information: A4, 24 pages, 1000 kB Copyright: CPDL Edition notes: Includes a keyboard version of the original accompaniment. Section 4 - Pages 112 to 135 General Information Title: Petite Messe Solennelle Composer: Gioachino Rossini Number of voices: 4vv Voicing: SATB, + soli Genre: Sacred, Mass Language: Latin Instruments: Harmonium and two pianos or orchestra First published: 1863 2nd published: 1968 by Ricordi (London) Description: This work was Rossini's last major composition and dates from 1863. With typical ironic wit, the Mass is neither 'Petite' (taking around 75 minutes in performance) nor 'Solennelle'. It was first performed on 14 March 1864 on the occasion of the dedication of the private chapel of the Comte and Comtesse Pillet-Will in their home in the Rue Moncey. The work is dedicated to the Comtesse. The autograph score of the original version of this work is annotated by Rossini "Twelve singers of three sexes, men women and castrati, will be sufficient for its performance: that is to say eight for the chorus and four for the solos" This note is somewhat surprising, as 'castrati' had virtually died out by that period. It is of note that, in the first performance of this work, supervised by Rossini, the alto solo part was sung by a female contralto, not a male alto. Rossini also marked that the soloists should sing with the chorus. This would require a prodigious effort on the part of the soloists and modern concert choirs would not need this reinforcement. The current edition therefore does not suggest that the soloists double the chorus parts. First performed 1864. Rossini adopted the unique sound of harmonium and two pianos to accompany this work, and this should be replicated in performance where possible. The single piano accompaniment given here is for rehearsal purposes only. Rossini was later prevailed upon to orchestrate this work and he sought to ensure as little distortion of the work’s timbres and textures as possible. But the original harmonium/piano version may be thought to be the best. External websites: Free choir training aids for this work are available at Choralia. Original text and translations For information, refer to the Mass page. For texts and translations, see the individual pages: Kyrie • Gloria • Credo • Sanctus & Benedictus • Agnus Dei Original text and translations may be found at O salutaris hostia. Het merendeel van de klassieke koorcomposities, zeker van die van voor 1800, heeft een religieuze tekst: bijbelteksten en teksten die sinds jaar en dag in de rooms-katholieke kerk worden gebruikt voor de eredienst. Honderden componisten schreven muziek bij het Te Deum en het Requiem (de dodenmis), maar het meest in trek was altijd de tekst van de gewone standaard Latijnse mis. Die bestaat uit vijf delen: – Kyrie – Gloria – Credo – Sanctus – Agnus Dei Het Kyrie telt maar zes woorden: Kyrie eleison, Christe eleison, Kyrie eleison, oftewel: Heer ontferm u, Christus ontferm u, Heer ontferm u. Meestal komt in de composities met deze zuinige tekst veel tekstherhaling voor, om te voorkomen dat het al te snel afgelopen is. De woorden ‘Kyrie’ en ‘eleison’ zijn overigens geen latijn, ze komen uit het Grieks. In het Gloria wordt God toegezongen en geprezen en bij bijna alle componisten is het een vrolijk/triomfantelijk/feestelijk stuk. Het Credo behelst de geloofsbelijdenis. De tekst is erg lang (160 woorden) en bij sommige componisten is duidelijk te merken dat ze bij bepaalde tekstgedeeltes korte metten wouden maken/de boel afraffelden. Overigens bevat het prachtige frases, zoals Deum de Deo, Lumen de Lumine, Deum verum de Deo vero (God uit God, Licht uit Licht, ware God uit de ware God) en Et expecto resurrectionem mortuorum, et vitam venturi saeculi (en ik verwacht de opstanding uit de dood, en daarna het eeuwig leven). In het Sanctus wordt opnieuw Gods groots- en heiligheid bezongen. Het eindigt met Benedictus, qui venit in nomine Domini. Hosanna in excelsis, oftewel: gezegend Hij die komt in de naam van de Heer, Hosanna in den hoge. Agnus Dei staat voor ‘het lam Gods’. Dat lam is Christus, die zich als een lam naar de slachtbank liet voeren. Hem wordt in dit misgedeelte gevraagd om ontferming en vrede. Kortom: een smeekbede, een lofzang, een belijdenis, een lofzang en een smeekbede: prachtige symmetrie. foto: © Kees Siebesma, birdwatcher te Zwolle Learn the "Agnus Dei" in Latin With English Translation An Important Part of Catholic Mass and Many Chorale Compositions The liturgical prayer known as the Agnus Dei is written in Latin. The words "Agnus Dei" translate into English as "Lamb of God" and it is a chant addressed to Christ. It is commonly used during Mass in the Roman Catholic Church and has been adapted into choral pieces by a number of history's best-known composers. The History of Agnus Dei The Agnus Dei was introduced in the Mass by Pope Sergius (687–701). This move may have been a defiant act against the Byzantine Empire (Constantinople), who ruled that Christ shall not be depicted as an animal, in this case, a lamb. The Agnus Dei, like the Credo, was one of the last things to be added to the Mass Ordinary. The fifth item in the Mass, Agnus Dei comes from John 1:29 and is often used during communion. Along with the Kyrie, Credo, Gloria, and Sanctus, this chant remains an integral part of the church service. The simplicity of Agnus Dei makes it an easy one to remember, even if you know little or no Latin. It begins with a repeating invocation and ends with a different request. During the Middle Ages, it was set to a great variety of melodies and included more acclamations than these two, which are most common. Latin English Agnus Dei, qui tolis peccata mundi, Lamb of God, who takes away the sins of the world, miserere nobis. have mercy on us. Agnus Dei, qui tolis peccata mundi, Lamb of God, who takes away the sins of the world, dona nobis pacem. grant us peace. Compositions With Agnus Dei The Agnus Dei has been incorporated into countless choral and orchestral pieces of music over the years. Many well-known composers, including Mozart, Beethoven, Schubert, Schumann, and Verdi have added it to their mass and requiem compositions. If you listen to classical music enough, you will surely encounter Agnus Dei quite often. Johann Sebastian Bach (1685–1750) used it as the final movement in his monumental work, "Mass in B Minor" (1724). It is believed that this was among the last pieces he added and one of his final vocal compositions as well. One of the better known contemporary composers to use the Agnus Dei is Samuel Barber (1910–1981). In 1967, the American composer arranged the Latin words to his most famous work, "Adagio for Strings" (1938). It was written for an eight-part chorus and retains that mournful, spiritual character of the orchestral work. As with Bach's composition, it is a very moving piece of music. Sources Randel (Editor), Don Michael. “The Harvard Dictionary of Music." Harvard University Press. Christoph. "Bach: Essays on His Life and Music." Harvard University Press. 1991.

kyrie gloria credo sanctus benedictus agnus dei